I've been feeling quite homesick since I've moved to Madison -- a friend forwarded this quote to me today and I thought it was definitely the universe trying to tell me something.
It may be that the satisfaction I need depends on my going away,
Whoever you are: step out of doors tonight, Out of the room that lets you feel secure. Infinity is open to your sight. Whoever you are. With eyes that have forgotten how to see From viewing things already too well-known, Lift up into the dark a huge, black tree And put it in the heavens: tall, alone. And you have made the world and all you see. It ripens like the words still in your mouth. And when at last you comprehend its truth, Then close your eyes and gently set it free.
I like the generosity of numbers. The way, for example, they are willing to count anything or anyone: two pickles, one door to the room, eight dancers dressed as swans.
I like the domesticity of addition-- add two cups of milk and stir-- the sense of plenty: six plums on the ground, three more falling from the tree.
And multiplication's school of fish times fish, whose silver bodies breed beneath the shadow of a boat.
Even subtraction is never loss, just addition somewhere else: five sparrows take away two, the two in someone else's garden now.
There's an amplitude to long division, as it opens Chinese take-out box by paper box, inside every folded cookie a new fortune.
And I never fail to be surprised by the gift of an odd remainder, footloose at the end: forty-seven divided by eleven equals four, with three remaining.
Three boys beyond their mothers' call, two Italians off to the sea, one sock that isn't anywhere you look.
by Mary Cornish
Tech Notes: Sent from my iPhone using the blog's post-by-email email address. Here's the how-to: Log in, go to the blog, go to Settings in the top toolbar, choose Post by Email from the left. Add the address to your iPhone contacts. If you are a lazy typist like me, use the page to send yourself an email- be sure to change the "Send Email" address to your email address, then open the email up on your iPhone. Add the address to your Contacts by touching the address in the "From: " box of the email.
Oh, Kristin reminded me of Leonard Cohen's fine musical poetry...
Here is Leonard singing Hallelujah...
no where near as pretty as Rufus, whom I think wonderful, but Leonard is Leonard... so let's have some more!
Dance me to your beauty with a burning violin Dance me through the panic 'til I'm gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love Dance me to the end of love
Oh let me see your beauty when the witnesses are gone Let me feel you moving like they do in Babylon Show me slowly what I only know the limits of Dance me to the end of love Dance me to the end of love
Dance me to the wedding now, dance me on and on Dance me very tenderly and dance me very long We're both of us beneath our love, we're both of us above Dance me to the end of love Dance me to the end of love
Dance me to the children who are asking to be born Dance me through the curtains that our kisses have outworn Raise a tent of shelter now, though every thread is torn Dance me to the end of love
Dance me to your beauty with a burning violin Dance me through the panic till I'm gathered safely in Touch me with your naked hand or touch me with your glove Dance me to the end of love Dance me to the end of love Dance me to the end of love
Now, there is of course, the fine print. Wikipedia has this to say:
Though structured as a love song, the song was in fact inspired by the Holocaust. In an interview, Cohen said of the song:
'Dance Me to the End Of Love' ... it's curious how songs begin because the origin of the song, every song, has a kind of grain or seed that somebody hands you or the world hands you and that's why the process is so mysterious about writing a song. But that came from just hearing or reading or knowing that in the death camps, beside the crematoria, in certain of the death camps, a string quartet
was pressed into performance while this horror was going on, those were the people whose fate was this horror also. And they would be playing classical music while their fellow prisoners were being killed and burnt. So, that music, "Dance me to your beauty with a burning violin," meaning the beauty there of being the consummation of life, the end of this existence and of the passionate element in that consummation. But, it is the same language that we use for surrender to the beloved, so that the song -- it's not important that anybody knows the genesis of it, because if the language comes from that passionate resource, it will be able to embrace all passionate activity.
In 1996, Welcome Books released a book called Dance Me to the End of Love, as part of its "Art & Poetry" series; the book featured the lyrics of the song alongside paintings by Henri Matisse.
What Was Once the Largest Shopping Center in Northern Ohio Was Built Where There Had Been a Pond I Used to Visit Every Summer Afternoon
Loving the earth, seeing what has been done to it, I grow sharp, I grow cold.
Where will the trilliums go, and the coltsfoot? Where will the pond lilies go to continue living their simple, penniless lives, lifting their faces of gold?
Impossible to believe we need so much as the world wants us to buy. I have more clothes, lamps, dishes, paper clips than I could possibly use before I die.
Oh, I would like to live in an empty house, with vines for walls, and a carpet of grass. No planks, no plastic, no fiberglass.
And I suppose sometime I will. Old and cold I will lie apart from all this buying and selling, with only the beautiful earth in my heart.
Someone's taken a bite
from my laptop's glowing apple,
the damaged fruit of our disobedience,
of which we must constantly be reminded.
There's the fatal crescent,
the dark smile
of Eve, who never dreamed of a laptop,
who, in fact, didn't even have clothes,
or anything else for that matter,
which was probably the nicest thing
about the Garden, I'm thinking,
as I sit here in the café
with my expensive computer,
afraid to get up even for a minute
in order to go to the bathroom
because someone might steal it
in this fallen world she invented
with a single bite
of an apple nobody, and I mean
nobody,
was going to tell her not to eat.
“The Spring Wind does not distinguish between high and low, it reaches everywhere. And the flowers and branches of plants and trees, themselves grow longer and shorter.”
— excerpt from The Sutra of Complete Enlightenment
I took this shot during the week over my lunch hour. I absolutely love flowering crab trees, or any flowering trees for that matter. When I saw these trees I pulled over and ventured in to the park a little ways in order to lay on my back and look up...it's such a unique vantage point when you're laying on the ground and looking toward the sky. I want to do this throughout the Summer to get a different perspective on new things that I see while living in a new city.
i could have posted "peonies" by mary oliver, but i love this e.e. cummings poem too much today. perhaps i should have fallen for some roses instead of these peonies... regardless, here is my offering.
{i am loving this site, (thank you, lk for putting it together) i come here when i need a break from my deadlines/chores/life... i hope we all continue to share more and more.} sharing m
“And it was at that age … poetry arrived in search of me. I don’t know, I don’t know where it came from, from winter or a river. I don’t know how or when, no they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone. There I was without a face, and it touched me.
I did not know what to say, my mouth had no way with names, my eyes were blind, and something started in my soul, fever or forgotten wings, and I made my own way, deciphering that fire, and I wrote the first faint line, faint, without substance, pure nonsense, pure wisdom of someone who knows nothing, and suddenly I saw the heavens unfastened and open, planets, palpitating plantations, shadow perforated, riddled with arrows, fire and flowers, the winding night, the universe.
And I, infinitesimal being, drunk with the great starry void, likeness, image of mystery, felt myself a pure part of the abyss, I wheeled with the stars, my heart broke loose on the wind.” — Pablo Neruda
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